In effort to make sure things are done better than before, I am going to open submissions for Pulp Modern in a very orderly fashion so I don't break my back reading submissions. The first submission window will open March 1, 2017, and end March 10, 2017. Depending on the quality of the submissions received, there will either be no more submission windows before the first issue is produced, or I will open another one in a month or so in attempts to find more quality submissions. What that means is, prepare your best work for that first window, because that may be the only one until we start work on the second issue. There is also a new email address for submissions:
therealpulpmodern (at) gmail (dot) com
Also, very important: Pulp Modern once again will publish crime, horror, fantasy, science fiction, and westerns.
After some discussion with Richard Krauss, who edits the outstanding Digital Digest Enthusiast, I am bringing back Pulp Modern way, way ahead of schedule. I'm afraid it won't be quite what I had suggested a few weeks ago, but I've decided it's more important to have Pulp Modern available as a market for writers than it is to nourish my nostalgia for the 1930s magazine market. I still will not be able to pay what I would like to, but I will enact a ten dollars per story flat rate that I will be paying out of my own pocket. Richard Krauss is going to help with the layout and other aspects to make sure this is the best, most professionally-presented independent journal possible while I focus on making sure the best possible stories are published. As I know more, I will post here, at twitter, and facebook.
Abnormal Man is one of those books—it’s going to take you
places you would never voluntarily go. But you’ll go along for the ride,
because Grant Jerkins gives you little choice. Written in the second-person
present tense, Grant implicates the reader in the thoughts and actions of his
three main characters, forces empathy with people you normally hope the law will
catch up with and either lock them away for good.
The book is about Billy, a teenager who gets a sexual thrill
from fire. Circumstances put him on the road with Frank, an older, violent,
even more troubled character. They end up at a trailer with Chandler, a much
older, much more twisted individual who deals in dope and mild child
pornography (if there is such a thing). From that description, the average
person no doubt feels compelled to turn away. But Jerkins’ writing chops are
on-point—just enough description to put you in the time and place of the
action. Observations are made that all people, whether they’re suffering similar
psychosis to the characters or consider themselves “normal,” have made (the
most obvious being the impression young Billy has of the moon, and how he
carries that impression with him throughout the book).
This is not always an easy book to read. Squeamish,
unimaginative (and I would argue, people devoid of genuine empathy) readers
might toss it out early on, excusing their lack of empathy by saying, “I don’t
like these characters.” But for the reader interested in understanding minds
unlike their own, it does what great books are supposed to do—it drops you
right in the shoes of strangers and allows you to think about society’s
“undesirables” in ways more complex than simple black and white
generalizations. I couldn’t help but think of Lolita as I read it, and how that
book no doubt shocked readers when it was first published. Abnormal Man should
shock the status quo, but it should also be elevated to the same critical
status as Nabokov’s book.
(Abnormal Man was the first publication from ABC Group Documentation, who will be publishing my novella Down on the Street in a few months)
So the first story in the Lake County mythology I'm putting together has been published at Beat to a Pulp. It's called "Creepy" and takes on what I think of the over-use of that particular word. Enjoy!